Tuesday, September 05, 2023

Sculpture and Drawing Show - 2023

Misha Livshulz

A certain tradition of pedagogy lives on among the painters of the PNC, thanks, perhaps, to all those Impressionist paintings in the Art Institute and the ongoing legacy of Richard Schmid.  Sargent, Sorolla, Zorn, and Monet are among it’s heroes.

In sculpture, however, there is no widespread connection to what’s found in art museums -  only to the kind of stuff  found in gift shops and toy stores.

Misha and I both grew up in the studios of traditionally trained artists - so we share a certain taste for, as Misha puts it, things that "look big regardless of size".  

And so I salute the above entry into this show.



Tom Zamiar, Isis

Tom grew up in a less esoteric world - and he collects toys.
(He’s got an amazing collection, by the way)

And yet —- toys are not necessarily as
goofy and banal as the ones collected by Chicago Imagists like Roger Brown.

Roger Brown study collection.


Tom’s homage to his deceased wife
is tender, elegant  and fascinating.
Perhaps not as powerful as this equally sensitive memorial  from Old Kingdom Egypt:




….. but fitting quite nicely into the more casual Ptolemaic period.






Paula Herrera

Likewise with this voluptuous mermaid
by our resident Andean folk musician.
Not as personal - but still  too intense for a typical gift shop.






Daralyn Rist




Evelyn Brody

A late bloomer in visual arts,
but blooming none the less..

Belongs on the cover of the old Saturday Evening Post.



Fabiola Roquena

This piece is from 2011.
Hopefully it’s not the last good drawing she made





James A. Burrell

I recognize the model,
but still think the subject is Biblical.



Jeffries R. Wells,  Selfie



Soko Okada, Hope

Indeed, she does seem hopeful 


Okada, Sophia

… and indeed she may be wise ( or, at least cautious)

Okada - Ode to Brockhurst


Gerald Leslie Brockhurst, 1934


A fine example of one of our painters 
being inspired by a recent master.

I doubt that even our sculpture instructors 
have that kind of connection to the past.



Sondra Pfeffer

She’s lopped off the head, both arms, and both legs.

Yet, for some reason,
one appendage remains

Pat Brutchin

Early Modernist figure drawing.

Rarely seen at the PNC.


Debra Balchen

This piece looks so much better in the 
strong ceiling lighting Debra has arranged for  it

Larry Paulsen

Channeling Ingres and the probity of line





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